Let us look first at stories. A favorite here is "The Phantom," Lee Falk's comic strip about "The Ghost Who Walks," but while clever, not really scary. There is Henry James's "The Turn of the Screw," which is about as black as it gets, and, on the flip side, Thorne Smith's "Topper," an ectoplasmic romp. A revered archbishop passed along the classic ghost stories of M.R. James, there is the always reliable Stephen King, and Shirley Jackson's "The Haunting of Hill House" should produce some chills. But for our money, trivial as it is, the best (and most urbane) ghost story is "The Green Man" by Kingsley Amis. (We hear a ghostly clapping somewhere.)
Music: Programmers always go for the obvious, like "Danse Macabre" and "Night on the Bare Mountain," but a truly scary piece of music is the score from Hitchcock's "Spellbound," once the theramin sets in. One of our contributors played this late at night at his radio station to keep himself awake; terrified, but awake. And if you want to boogie, there's "Monster Mash."
Now, coming to films for the haunted night, there are many spooky offerings and some ("Ghostbusters," "My Favorite Ghost") that are pretty funny. Some, too, that are romantic; e.g., "The Ghost and Mrs. Muir." But best of all is "The Uninvited," which is ghost story, mystery, and romance. Who can forget Ray Milland climbing those stairs, candalabra in hand?
(Okay, there is one more movie, but it is so scary I can't tell you about it.)
A good evening to all spirits hovering.
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